Availability

Sleep intrigues me. I have a cousin who suffers from night terrors. Growing up, whenever I visited his family, it wasn’t unusual to wake up in the middle of the night to him screaming. And I admit, once or twice a year, I do the same.

Scares the shit out of my wife Alana.

My problem with this is I don’t remember in the morning … or even if I’m fortunate enough to wake up … what I was screaming about. What does manage to linger is an odd physical sensation of having screamed. The rest is hearsay.

So last night I had this relatively horrifying dream. Many of you know I had to put a long-lived, much-loved dog to sleep this past September. That experience was one of the most devastating things I’ve done to date. But it was one of those things that had to be done. And with the help of our other dog and my dear, sweet wife, I managed my way through it.

Anyway last night … I was telling you about last night. Well … last night I had a dream about that same dog … Bucky. Not that unusual. Since he’s been gone, Bucky has been ever-present in my head. Only instead of us having a veterinarian come to the house, euthanize the dog and take him away (which is what happened in real life), I dreamt we injected Bucky ourselves. We expected him to die. We were sad. But he woke up and started walking around the house.

I know the triggers: Yesterday I got a flu shot. It was also the birthday of our other dog, and the attention we gave her most definitely put our old, dear Bucky back in my dreams. So … injection / dog / living / dying … easy connections to make.

But there was a feeling in the dream. A frustration that we hadn’t managed to fulfill our promise to “put the dog down” and an elation that we hadn’t. That feeling was so available. It was as real as anything I’ve ever felt. And I think it was the availability of that same feeling that allowed me to remember the dream today.

Which brings me back to the screaming myself (and my sleep-deprived wife) awake. There are no available, accessible details I can muster in times like that, save the sensation of having screamed. The quickened pulse. The scratch in my throat. I think I probably mumble, roll over, and drift back to sleep.

So today, in the light, after all the processing and accepting of the information. I’m left to wonder if memories and the act of remembering details isn’t strongly related to my ability to access my emotions.

Sounds basic, no? Well, I’d like to amend that idea a bit: I wonder if my ability to remember details of my life isn’t strongly dependent upon my ability to access my available emotions.

The availability is the key.

News travels fast

I don’t suppose it surprises you to know I had a long, long chat with my sister last night. I’d sent her my manuscript to take a look and make sure she was OK with the content. Turns out, it was hard for her to read—for a number of reasons. But mostly it was that trick of memory and storytelling. The narrative was close enough to warm her heart with nostalgia but exaggerated just enough to cause concern.

Let me be perfectly clear about this, just so we’re all on the same page. These musings are stories. What the literary world refers to sometimes as creative nonfiction. They have a basis in fact (i.e., these things really happened to me) but the rest of it is up for grabs. Including the characterization of the people involved. And they are my stories. My perceptions. My distortions. I own them and am responsible for their content.

I’m the first to admit the characterization of my sister comes off borderline horrific. And I come off smelling like a rose (most of the time). That’s the story part. The facts are different. Being facts, they existed only at the time the events of the plot happened. The rest is … not to put too fine a point on it … creative, as in made-up. A casual observer roaming through the pages of my memoir may see my sister as a hellion, fueled by equal parts vengeance and spite. Kind of a Lucy to my Linus. But here’s what you’re not seeing, (and something I need to work on before I throw this book out there to the wolves):

  1. My sister (B.J. for you regulars) literally spoke for me for most of my childhood, and most of the time, she got everything right. I was tongue-tied and hornswoggled most of the time.
  2. She was my staunch defender in my agonizing fight against school, frequently showing up in the office of W.K. Dwyer Elementary to tell them I’d barfed on my way to class and was headed home to my mommy.
  3. She drove me everywhere from the time she was 13 until she left for college. And I mean EVERYWHERE.
  4. One cold December night, after my dad had thrown the decorated Christmas tree out on the lawn, she helped me put everything back in order so it appeared untouched the next day.
  5. She told me what was dangerous, and why not to do things. Then she let me do them and didn’t tell my parents.
  6. She once broke up with a boyfriend because he was making fun of the fact I conducted the pep band at basketball games.
  7. She calmed me down when I was hysterical over euthanizing the family dog while my parents were away on vacation.
  8. She taught me how to defend myself against hangovers.
  9. She loaned me money when times were tight and college tuition was due.
  10. She regularly told me I looked stupid (“Like a camel”) when I smoked, and it was highly unattractive.

Every good story has a villain, and to me the best villains are hilarious. I love a good hilarious villain. So yeah, when the jig was up and it turned out we had set fire to the Buick, of course, B.J. left me sitting in the front seat of the blazing car. Of course she thought my fascination with the Watergate hearings was bizarre. Of course she called me stupid when I jumped head first into a wading pool. What good, self-respecting, hilarious villain wouldn’t?

So please, townspeople, please. Lay off. (I’m talking to you, lady in the grocery store who approached her and said “So YOU’RE the sister?” all sinister and snotty like. Yeah, you and all the others like you.) These are stories. My storybook sister is my version of a hilarious villain.

My real sister … well … she’s the best.

 

 

I’m back (and I’m better than ever)

Whew! I have to admit, cutting and pasting all those posts into this new site was arduous. In the process I lost all your lovely comments, but I gained much more functionality I was looking for.

I have tales to tell of the past month, and I’ll be catching everyone up on what’s happening with the book, but for now add this space to your RSS feed and welcome back!

Now what?

Well, I did that. Now what?

I’m so grateful to everyone who stopped by and gave me such great support. One of the wisest things a prospective agent said to me when I started this project was “I like coming-of-age stories, but my experience has been that they’re almost impossible to sell. So you don’t want to get lumped into that category. You need to signal as early as possible in the book that something more is happening.”

Granted, this person hadn’t read the entire book. Hasn’t seen this blog. Has no idea what my something more is. I have to admit, up until I sat down and started receiving such encouraging feedback from all of you—Anacondans especially, I didn’t know what my something more was.

Now I do.

Extracted from Smelter City Boy

This is a fiction version of a story I cut from my manuscript this week. Some of you may recognize the thinly veiled references to my time as a summer camp administrator.

Vesperae

August, 1991

“What does vespers mean anyway?” Audra asked.

“Vespers comes from the Latin vesperae, or evening star,” Hardy said.

“Yeah,” Emilia added, “it refers to the brightest star in the evening sky, which is actually a planet.”

“Well, not really, Emilia. It refers to the first star in the evening sky, but you’re right about the planet. I think it’s Venus or Jupiter. Somewhere in the middle of the 17th century, it came to mean an evening religious service.” Hardy knew vespers at Camp Chesterton wasn’t religious, but it had a sacred tone to it.

“Like in The Sound of Music, Maria is always late for vespers, but not every meal,” Emilia said.

“Kind of like you Dallas girls,” Hardy said. He didn’t mean it, and they knew it.

“At Chesterton we have vespers every Sunday night about all sorts of things. This is the first one of the term. The senior girls always get to do it, because they know so much about it. You’d know about vespers if you and Candace had been at camp forever like the rest of us.” Emilia had a way of comforting people and excluding them at the same time.

“What if it rains, Hardy?” Emilia was a worrywart.

“Well, you know something, Emilia, what if isn’t. . .”

“Part of your vocabulary,” she finished his sentence.

“That’s right. If it rains we’ll have the program in the dance pavilion, like we always do. You know that.”

What if was Hardy’s job at Camp Chesterton. He was constantly thinking what if, but these seven teenage girls didn’t need to know that.

“But what about the cortège?” Emilia asked, her voice on the border of whining.

“The what?” Claire asked.

“If it rains we’ll just have to take it to the river after the program. And stop calling it that,” Hardy answered. “It’s not a cortège, it’s a floating thingy that holds little slips of paper with lit candles on its corners. A cortège is a funeral procession, Emilia. We could call it a flotilla if you want, but we still wouldn’t be correct. A flotilla is a collection of boats.”

“What are we writing on the slips of paper again?” Amanda wanted to know.

“Jeez! Pay attention, Mandy!” Emilia snapped.

“Girls! Girls! You’re both pretty!” Hardy blurted. That put a stop to the bickering and made the girls laugh.

The fact that Emilia took herself so seriously was no laughing matter, however. Hardy liked Emilia. She was scrappy. But the girls thought she was bossy. Since the activities calendar was published, Emilia had been masterminding the vespers program. Although these girls had only been at camp a few days, Hardy knew most of them had spent many summers together. Senior girls brought an acute sense of camp history with them. Hardy often joked that they packed more baggage than other campers. Emilia had been an outspoken member of this group since she was eight years old. In years past, it seemed the entire camp went through an adjustment period of two or three days before they learned to listen to Emilia with only one ear. Five of the girls were doing that already; the two new girls, Audra and Candace, were still adjusting.

“Well, Hardy, I’ve only explained it, like, a hundred times!” Emilia said.

“Well, Emilia, maybe you should explain it, like, once more in a civil tone, and then maybe we can move on with the rest of the program,” Hardy mimicked Emilia. This raised her hackles. She looked at her shoes, and then straight into Hardy’s eyes.

“I just want you to know that you’re not the only cynic in the room,” Emilia said. Hardy knew she’d heard that from her father, a popular history professor at UT in Austin. The comment bugged him enough to stop talking. His initial reaction was to deny it, but she had him pinned. Was it cynicism? Or wit? Emilia’s language skills weren’t always as sharp as her tongue.

“Okay, Mandy, it’s simple,” Emilia said. She wasn’t necessarily cynical, Hardy thought. Emilia was condescending. He wondered if she understood the difference.

“The whole program is based on the concept of balance. You know, there always has to be a little bit of bad with the good, and, like, every cloud has a silver lining and stuff like that. I was in The Sound of Music this year at school, and there’s a line in there about how every time God shuts a door he opens a window, and I think that is an excellent thing to say. So, you and Claire are going to do a dance that is about going through a bad time and being reborn with a new opportunity. Get it?”

Emilia hardly breathed when she spoke. She was at that age, Hardy thought, when everything is said on the same breath, with the same amount of importance. Forest fires and corn flakes were all spoken of in the same rushed manner.

“Yeah, I get it, Emilia,” Mandy said, “but I don’t get what the paper is for.”

“Okay. Every camper and staff person is going to get a piece of paper about the size of a recipe card. Hardy will get us 200 pieces of paper—300 just to be sure. Then, I am going to tell them that they are to write what they hope for on one side of the paper and what they fear the most on the other side. We’re going to play a CD while they do that. Then they are all going to put the pieces of paper in the cortège, and we are going to put it in the pond and have a moment of silence while the cortège floats across the pond and out into the river.” Emilia inhaled, and Hardy seized his opportunity.

“That’s it? That’s the end?” he asked, trying hard not to sound critical.

“What do you think?” Emilia looked solemn and sincere.

Hardy knew not to say much here. This was their program. As much as he wanted to say that the whole idea sounded like a lot of work, he knew that wasn’t his place. His role in this whole thing was administrative only—scheduling, procurement and accountability. For the latter, he looked to Dave and Nancy, the camp owners.

“Sounds good,” he said.

***

“What will it take to clear an area big enough for the entire camp at the edge of Lodge Pond?” Hardy asked Miguel, the head of the camp’s maintenance staff, a few days later. “The girls want to do the vespers program there. At the end of the program they want to float a sort of flaming raft thingy across the pond. We also need a place for two Dallas girls to dance, and Doony is going to do a solo with her guitar. Oh! And there’s a play, I don’t know what we’ll need for that; the girls haven’t written it yet. I’m supposed to see it tonight,” he said.

Miguel didn’t blink.

“I’ll need a new or sharpened blade for the sickle-bar mower, and a few hours notice to haul the benches from the dining hall and riding arena. If you want anything to float across the pond, you’re going to have to open the flow-gate. You’ll need the sound system plus about 50 yards of extension cord,” Miguel didn’t miss a beat. “And you’ll need about ten citronella torches that are full and burning about an hour before the show. The mosquitoes are hatching down there and the place is really buggy at dusk. You better pray it doesn’t rain. That will make the mosquitoes worse, and that little boy… it’s thunderstorm season, Hardy.” His voice trailed off.

Hardy knew Miguel was talking about a boy named Patrick. He had recently witnessed his babysitter get hit by lightning and fall off the roof of an office building in San Angelo. Only a handful of adults at Chesterton knew about the accident. No one knew why he was on the roof or why his parents had sent him to summer camp.

“Do you have any idea about the floating vessel?” Hardy asked. He tried to get back to the point of the shopping trip, although he shared Miguel’s soft spot for special kids.

Miguel squinted and looked at the sky. “Stop at Wal-Mart and pick up a six-pack cooler. That’ll float. We can weight it with sand so it won’t tip over. We can test it tonight after lights out.”

***

The weekend activities at Camp Chesterton started for Hardy on Wednesday, when he made his weekly shopping trip into town for supplies. This Wednesday, his list included a vessel that would hold 300 slips of paper and some candles without tipping over. Hardy found this amusing—the thought of the entire camp’s hopes and fears sinking before their eyes. He had grown fond of getting away from camp. These past couple of years it seemed like he had become tired. He worried that he was placing too much emphasis on his summer job—concerned that if his entire life revolved around camp, maybe too much was passing him by. Going to town on these rushed afternoons helped clue him in that life was being lived all around him. It lifted his spirits some but made him anxious at the same time.

Hardy loved the anonymity of Wal-Mart. He could buy swim caps, a case of corn oil, tempera paint, Twister and 50 rolls of film without the clerk batting an eye. Touring the aisles with a bulging cart, he picked up a six-pack cooler, plumber’s candles, duct tape, four tiki-style torches and a gallon of citronella oil. Miguel had said ten, but they were expensive. They broke the vespers program budget, but Hardy knew he could use the tiki torches at other functions, so he didn’t mind paying for four.

After dinner, the senior girls gathered in the drama building for rehearsal. Hardy got the distinct impression that everyone was fed up with Emilia.

“The play is stupid, Hardy!” Emilia said, walking into the room.

“Do you think that’s fair, Emilia?” Hardy asked.

“Well, it’s just going to about ruin the whole thing!” she said.

“It’s Wednesday, Emilia. The performance is Sunday. Never underestimate the power of fear and panic.” Hardy was losing his patience with Emilia. He wondered if that was cynicism, or wit.

Claire and Amanda, Dallas girls to the core, arrived five minutes late. There was a tacit understanding of Dallas girls at Camp Chesterton. They always looked good; their hair was perfectly coiffed, and their clothes fit properly if not a little too snug. They hardly ate at mealtimes and were known to be extremely polite, but were always five minutes late. Yet no one was more dependable than a Dallas girl. They had an inherent false-sincerity that made their speech sound important, yet casual. They could read children’s books aloud better than most girls their age, and every single one of them had taken dance lessons. Claire and Amanda’s eyes were slightly narrowed.

Hardy did the best thing he could—divide and conquer. He sent Claire and Amanda to the dance pavilion to work on their dance, and Doony off with her guitar to the bathroom. He asked Audra and Candace to stay with him, and he told Emilia to go to the back porch and write her speech—alone.

“I can’t call it a floating thingy, Hardy,” Emilia said before she left.

“Call it a vessel,” Hardy offered. “Or a craft.”

“I like vassal,” Emilia said.

“Vessel,” Hardy corrected her. “A vassal is something completely different.”

Emilia was right. The play was stupid. Audra and Candace weren’t adept at handling Emilia, so by the time they got to rehearsal they were fairly freaked out. The play was 15 lines long. In the play, a little girl is afraid of nightmares. Her mother tells her to go to sleep and all her dreams will come true. Curtain. End of play. Hardy encouraged the girls to stretch the material out so that the play lasted about 12 minutes. He asked them questions about plot. Why is the little girl afraid? Can she describe a nightmare? Why does falling asleep mean all your dreams will come true? He knew the girls had a shot at making a good play by answering these questions. Later, he would steer them toward incorporating fear and hope into the dialogue.

He couldn’t just come out and say that most people’s hopes are the basis of their fears. That we all hope for something, and fear is bred when we don’t think we’re going to get what we hope for. He knew that fear could paralyze you in the middle of the night—especially if you think your hopes are all wrong, or that you’ve been wasting your time hoping for something you know will never come.

“Hardy? Where are you?” The shortwave radio Hardy was required to carry cackled to life, startling him. It was Nancy’s voice.

“I’m in the drama building with the senior girls. We’re rehearsing. What do you need?” he asked.

“Well, there’s a thunderhead coming up the valley, and I think Patrick will have to come to the office. Tell the seniors to head home, then go to the pool and have B.J. blow the whistle on the free-swim.” Nancy’s voice caused Hardy to shift into calm by reflex. He knew the most efficient way to get things done, and although Nancy was urgent, panic wasn’t necessary.

“Girls, you’re going to have to head home. It’s going to be a real gully-washer. Look over your lines and I’ll stop by tonight and see the play again. Ask your counselors for help,” he said, as he flipped the switch that turned off the outdoor floodlight.

“B.J., let’s shut her down,” Hardy said, once he got to the pool. The campers knew this was coming—the sky was turning purple. Many of them were already out of the pool, shivering in their towels. B.J. blew his whistle, and Hardy stood at the pool gate as the campers lined up in front of him.

“Okay, campers, listen up! Go to your cabins quickly and get into some warm clothes. Counselors, maybe this would be a good night for a fire in your fireplaces but no outdoor campfires tonight—sorry guys. We’ll be by with snacks in a little while. Those of you in tents best drop the flaps for the night. I need to see B.J. and Patrick. You may go.” As the campers started to leave, Hardy called out, “Goodnight Camp Chesterton!” Several campers called out, “Goodnight Hardy!”

B.J. was the head of the swimming department and counselor of Patrick’s age group, known affectionately as the middle-aged boys. This could be a difficult group of kids. The older boys were fairly independent, and the younger boys were easy because they played so hard, but the middle-aged boys, the 10- to 13-year olds, could be a handful. Patrick was barely 10. Small for his age, he was either teased or doted on by the older campers.

“Beej, Patrick is going to stay with me for awhile,” Hardy told both of them. “Could you cover the pool? Nancy will most likely bring snacks to the boys.”

B.J. looked at Patrick and said, “We’ll see you after the storm, Pat. Stick with Hardy, you’ll get an extra granola bar,” he winked at Patrick, who remained staring at the ground.

“B.J., send someone with warm clothes,” Hardy said.

“Sure thing,” B.J. said, trotting toward the pool cover.

“C’mon Patrick, let’s go build a fire in the office—that ought to warm you up. Have you got all your stuff?” Hardy didn’t expect an answer. He knew they had to get moving, or they’d be caught in the downpour. The oncoming storm had driven Patrick nearly comatose. Hardy put his arm around Patrick’s shoulders and pulled him close to his hip. “C’mon big P,” he said as they approached the gate, “let’s get that fire started.”

A distant boom of thunder echoed through the valley. Patrick tensed and looked down at the ground. Hardy squatted in front of the boy and tried to make eye contact. “Patrick, I’m here and you’re here and that lightning was miles away. But I’m not going to lie to you partner, it’s coming closer. Now we’re going to the office, and we’ll light a fire, and B.J. will send you some warm clothes. Do you think you can walk, or do you want me to carry you?” Patrick remained staring at the ground, so Hardy whisked him up into his arms and pulled the gate shut behind them.

Once they got to the office, Hardy deposited the towel-clad boy in front of the fireplace and threw a Presto log onto the grate and lit it with a kitchen match. He grabbed his radio and pressed the talk button.

“Nancy, I’ve got Patrick here at the office,” he said.

“Tell him to hang in there!” Nancy said. “His mom’s number is on the desk blotter,” she added. It hadn’t come to that yet, but tonight—with the sound of heavy rain on the metal roof—Hardy thought even he could stand a little mothering. As he headed for the desk, there was a knock on the office door.

“Here’s some clothes, Hardy.” It was Johnny Slocomb, one of Patrick’s more responsible cabin-mates.

“Thanks, Johnny,” Hardy said.

“Is he going to be okay?” Johnny asked, staring at Patrick who stood sentinel at a Presto log fire.

“Sure thing, buddy. He’ll be just fine. Do you need an umbrella?”

“NO!” Patrick cried. “No umbrella! Are you fucking nuts!? Umbrellas are lightning rods! Jesus Christ!” Patrick had spun around and was shouting at them. He had dropped his towel and stood by the fire in his swim trunks.

“Good!” Hardy shouted back, surprised at the edge in his voice. “Thanks for the tip, Patrick. What would we do without you?”

Patrick fell silent and turned back to the fire. Johnny was too afraid to say anything. “Thanks for the help Johnny. Now go back to your cabin, and Nancy will be by with snacks in a little while,” Hardy was talking louder than necessary. Johnny looked at Patrick and then back at Hardy. Hardy smiled at him.

“Holy shit!” Johnny said as he turned to leave.

“Did I miss something?” Hardy asked. “Is it Swear Word Day at Camp Chesterton?”

Johnny muttered, “Sorry, Hardy,” as he pulled the office door closed on his way out.

“Let’s get you dry,” Hardy said, throwing a couple of real logs onto the fire. Patrick stared at the floor, motionless. “Patrick, you’re going to get cold if you don’t put on some dry clothes,” Hardy reasoned.

No response.

“C’mon, buddy.” Hardy added an edge to his voice, as he wrote Patrick’s home phone number on the palm of his hand. Patrick stood silent, then stepped behind a chair and changed clothes. When he stepped back in front of the fire, Hardy picked up the wet swim trunks and towel and hung them on the doorknob. He returned to Patrick and sat on the hearth, between the boy and the fire.

“Want a stick of gum?” Hardy asked. He thought this might draw a response. Gum was forbidden at Camp Chesterton. Hardy only used the gum ploy in extreme cases. Patrick shifted his gaze from the floor up to Hardy. Just then, lightning flashed, and the room went dark. Patrick’s face went from calm to panicked and he pushed Hardy hard in the chest, nearly knocking him into the fire.

“That’s a pretty good shove Patrick!” Hardy said, as he stood and crossed to the desk, secretly praying there was some gum in the top drawer. Thunder rumbled in the distance. “Hear that?” Hardy asked. “That sounds like it’s fairly far away.” He lied as he fumbled in the desk drawer for gum. “Here we go!” he said, producing an old pack of Juicy Fruit. “Now let’s get warm and enjoy our gum!” Hardy said as he tried to act like that wasn’t as stupid as it sounded.   Lightning flashed again, this time a little longer than the last. It turned the golden hue of the little office blue for an instant, changing the shadows from warm to hostile. Hardy thought to himself—for the first time that night—a lightning storm was damn scary.

Patrick rushed at him, and Hardy braced himself, thrusting the gum between them like a switchblade. Either the boy was going to hug him, or tackle him—both seemed entirely possible. Patrick knocked the gum away and grabbed Hardy tight around the waist, burying his face in Hardy’s belly.

“Whoa Big P! That was close, huh!?” Hardy said just before the thunder boomed and rattled the office windows. Hardy covered the boy’s ears. Then he pried Patrick free and swooped him up into his arms. They moved to the chair and sat down by the fire, Patrick curling into a tight, trembling ball on Hardy’s lap. Hardy hoped the lightning would pass over the camp quickly.

“Hardy?” Patrick’s voice was weak. Hardy could hardly hear him over the rain.

“Yeah, partner?” Hardy asked.

“Do you like the rain?”

“I love the rain!” Hardy said, too cheery. “I like the fact that it cleans the dust off of things and helps the forest grow. I love the smell of the forest after it rains, and I like to go down to the river and watch the water rush. Rain is good for business!” Hardy was saying stuff that was so stupid it surprised even him. “What about you? How do you feel about the rain?” he asked.

“It’s okay,” Patrick offered.

The next thunderclap came almost before the lightning. The boy curled even tighter in Hardy’s lap. The rain was falling in sheets on the roof. That meant a short storm. In twenty minutes, it would seem like it hadn’t rained at all.   “It’s the lightning I hate,” Patrick said. “I hate it! I hate it! I…”

“Okay, Patrick. You can hate it. It’s okay. But hating lightning isn’t going to stop it from happening. We’re pretty high up in the mountains, you know, and these thunderstorms sound closer to us than they are. I know that doesn’t help much, and it probably scares you even more, but I think you need to know that by coming to camp, well, you’re downright brave, Patrick. Downright brave.” Hardy’s voice was failing him. He knew it wouldn’t be long before his emotions took over.

“I don’t mind the rain, but I hate the thunder and lightning.”

“Well, Patrick, that’s…” Hardy didn’t know what to say.

“It’s all bullshit, Hardy!” Patrick cried as the lightning flashed farther away.

“I don’t think so, Patrick. I don’t! I don’t know if you can understand that you can’t stop stuff like that from happening, partner. Your job now is to stay here and get on with it. You can’t hold back lightning. And cursing at thunder isn’t going to help. We need the rain, Patrick. It helps things grow.” For a while, that was all Hardy could muster. Moments passed as the two looked into the fire. Finally, Hardy said, “We need you, Patrick.” The room became silent and the slowing patter of rain lulled them.

The thunder boomed in the distance, farther down the canyon.

***

Vespers was going well. The play wasn’t bad, and the Dallas girls danced well. Doony’s song, about contrasts and balance, had been a big hit.  As country music floated across Lodge Pond, Hardy looked around at the 200 or so people surrounding him and joined them in finding a flat surface to write upon. He looked at Emilia, her head bowed with a mixture of reverence and concentration. Then he stared into the blank piece of paper in his own hand.

Emilia looked up from her note cards, bit her top lip, exhaled and launched into her speech, which was a mystery to Hardy. Emilia had made so many revisions and additions, that he’d given up editing it altogether. It was a tense moment for Hardy, but Emilia shone with pride and confidence.

“On the four corners of the vessel are four candles,” Emilia said. “Each one signifies part of what will protect our hopes on their journey down our river. Each will also light the way for our fears to leave us.” Emilia paused as Doony lit the first candle. “The first candle stands for utility. What are we, if we are not useful to each other? The second candle stands for trust. We trust each other and our parents, our counselors and our leaders to guide us through any rough water we may encounter.” Doony lit the second candle, and the first candle blew out. Hardy knew that Doony could figure it out. She was a smart girl. “The third candle stands for faith, whatever you consider that to be. Every one of us believes in something. Our faith in each other is the foundation for our hope. When we lack faith, we plant the seeds of fear. The last candle,” Emilia paused for dramatic effect, “stands for community. We are all part of a camp family, and even when we aren’t at camp, our family holds us up and keeps us safe. We are all part of the family of humankind. Recognizing this is the easiest—and sometimes the hardest—thing we can do.” Hardy’s scalp tingled. He wasn’t sure if it was rain, or Emilia’s speech, but something was getting to him, and he started to smile. “Tonight, as we send out our hopes and fears let us take a moment of silence and summon our usefulness, trust, faith and community to help make the world a more balanced place.” As Emilia finished her speech, she nodded to Hardy to change the music, then she placed the vessel near the water and campers started filing forward to drop in their slips of paper.

Once he hit the proper buttons on the sound system, Hardy glanced at Dave and Nancy, at Miguel and B.J. and finally at Patrick. Patrick looked at him, then at the sky. He smiled and winked at Hardy, who smiled back. Everyone in the camp, child and adult, was considering what Emilia had just said.

This was no time for cynics, Hardy thought. And although he felt like laughing, he started to cry.

On one side of his slip of paper he wrote:

I hope for rain.

On the other side he wrote:

I fear the thunder and lightning.

Hardy breathed in deeply. As he exhaled, it was as if a wet shirt was being pulled from his body. Then he looked up, and between two big fluffy thunderheads, he saw the evening’s first bright star.

Only time will tell

I suppose it’s time to get serious. I’m going to have to start figuring out a marketing plan for this book. These last few, golden weeks have been blissfully marketing-free. But now I have to start thinking about twitter feeds and facebook pages and developing a readership. There’s so much more to this than just the writing. I’m excited and scared at the same time.

I once had a conversation with a prospective employer. (I didn’t actually know at the time he was asking me to work for him, I just thought he wanted to chat.) At any rate, it was at the Depot in Missoula, and he’d met me in the bar before I started my shift washing dishes. He was the executive director at a theater company. Anyway, he was sitting across from me and without a lot of fanfare asked, “What do you want to do with your life?”

And I was all like, “Whaaa?”

And he was all like, “Seriously? What do you want to do with yourself? I’m assuming you don’t want to wash dishes for the rest of your life.”

Of course he was being a bit presumptuous at the time. Up until recently I had never really divulged my affinity for washing dishes. Back then, (you know, in the 80s), washing dishes was a nowhere job. And I was young, I suppose. And silly. So I took a sip of my Tab and said, “Well, I suppose one day I want to be an actor.”

And he laughed. Out loud. At me.

Bear in mind, this guy had already hired me and paid me a slave-labor wage to haul my ass all around Montana, Wyoming, the Dakotas and western Canada to … well … act among other things. But I was young. And silly. So I said, “What’s so funny?” Kinda like he’d hurt my feelings.

And he said, “Well, I guess if that’s what you want to do you should do it, but if you ask me … ”

“You asked me,” I said.

“Right. Well … I just think,” he said, “it would be a terrible waste if you just became an actor.”

I had no response to that. At the time he was referring to my superlative secretarial skills. (I still think I’d make someone an excellent executive assistant if only they would give me a chance.)

If you fast forward about 15 years or so, another man in a similar power position said to me, “I think it would be better if you just stayed a teacher.” And I don’t really know if it was the limiting way these fellas had spoken to me, or my own gut that told me, on both occasions, to get the hell out of Dodge.

When I applied for the job I currently have, the woman who hired me said, “I didn’t know you were a writer.”

And I think I said “Well, I didn’t know I was a writer, either.” But she had faith in me. And here we are, almost eleven years later.

The fact of the matter is, it was really my ability to put two words together that got me anywhere. (Well, anywhere other than Montana, Wyoming, the Dakotas and western Canada.) And I’m extremely grateful for that. I cannot write in actual words, how lucky I feel to be able to do something that makes me feel good and shitty at the same time.   And if there’s one other thing I think I know I’m good and shitty at it’s … well … marketing.

I just don’t know if I’ll be any good at marketing myself.

Only time will tell.

Confessions of a pearl diver

Maybe that should be the title of my book.

I’ve spent the past couple of days writing about things I always wanted to write about. For a guy my age, I’ve had very few jobs. But the one job that I have always considered my fall-back position is to wash dishes at a busy restaurant. I’m serious.

I’m probably too old to do it now. But in my day, I was a proud pearl diver. (That’s slang for dish washer … I’ve also been known as a professional dish monkey, but that seems a bit derogatory.) At any rate, during my tenure behind the Hobart I’ve often heard the phrase, “I could write a book.” Which I completely believe to be true. I think, of course, Anthony Bourdain has already capped that market, but his book is mostly about cooking. Mine would be about washing. There’s really nothing quite like it. (I know what you’re thinking, and your completely wrong. It’s not gross. There are some disgusting things you have to do, but I happen to believe there’s at least one disgusting task in every job.) The restaurant world is filled with interesting characters who are willing to tell tons of stories. They all react differently (and mostly humorously) to stress. I remember one New Year’s Eve in the Depot kitchen, I was absolutely bombarded with overflowing bus tubs at the end of the night. Everyone was celebrating and popping champagne and I was working my ass off, trying to trim the time I would have to spend cleaning up. You develop an incredible amount of efficient, time-saving tricks when you are in that situation. You find a rhythm. There are periods of amazing, mindless zen-like flow. It’s actually relaxing work.

And when you’re done, you’re done. There’s no bringing dirty dishes home with you at the end of the night. You usually have to clean the kitchen, mop the floors, take out the garbage and lock the doors. Done. No unanswered phone messages or email box. Just you, the dishes and the machine.

In many ways, these past few weeks have been like that for me. Once I get in the zone, I could stay here for hours. I listen to these people from my past. They are talking to me. Some of them are saying things for the second or third time, some of it (I freely admit) I’m putting in their mouths. It’s probably things they should have said. Or I should have heard. I actually don’t think that much about it. (I’m very thankful for that.)

And when I’m done … when I’ve reached the end of the story, or I think people who might want to read should take a break … I’m done. It’s one of the most utterly satisfying feelings I’ve ever had.

Maybe that’s why my mind is drifting back to my first real boss—Ruth Perrini—who used to command the kitchen at the Hideaway with a sharp tongue, an iron fist and a huge heart. She used to say, “It takes all kinds, Grant. It takes all kinds.” I remember the line cooks at the Depot (they were both named Dan when I worked there) who would come into the back kitchen and sigh, “It’s so clean back here. And it’s so quiet.” Poor suckers. They had to cook in front of the diners. That’s not unlike being asked to perform a cold-reading at an audition. And yes, I remember the intoxicating, yeasty smell of the bottom of the dough bucket at Godfather’s Pizza. Spraying that down with a faucet hose was a lot like swilling a beer. But when you were finished, the whole kitchen sparkled.

I’m thankful for them all. All the dishes. All the jobs. All the characters.

And some day, if I ever fall on hard times job, I just might take it up again.

Wowee

This has been an amazing day. I worked up two chapter’s worth of stories and have about four more things I think I could work on. The amazing part of that is what I’m finding to be a truism. Ever since I started writing these stories one has led to another. I’ll be in the middle of a story and I’ll think about something else. A similar incident. Similar people. There’s something about drawing those connections that is happening organically.

I already cautioned myself that I think I have two books going. One is based very loosely on my childhood. But there are other tales to tell. Some of them polished enough to let others see. I posted one on Friday and have really enjoyed the response.

Today I was writing about the Hideaway restaurant. I happened onto a job there when I was in high school. And my associations with the Montana Hotel (the Marcus Daly to those my age) just started cascading. In the short span of one story, I had four more to work on. That place is a gold mine of material. That one place.

Here’s a couple of things I remembered.

One night, I was waiting on the steps of the hotel after it had been closed for a while. My dad was supposed to pick me up there after a boys choir gig downtown somewhere. Anyway, I was standing there on the steps when three or four bricks sailed past my left ear and crashed on the granite. Literally … another inch and I would have been killed. Was someone throwing bricks at me? Or was the building falling down around me?

In the lobby of the hotel there was a display case of mementos belonging to Wayne Estes. I recall the tragic story of a life cut short every time I see a news story about downed power lines during wind storms. Something deep inside me reacts. I think it’s collective unconscious. I wonder if everyone gets a twinge of foreboding when they see a “don’t go near the power lines” public service announcement.

Shirley Moses worked in my dad’s office after the hotel was sold and renovated. But I remember her being one of the last people to work at the lobby desk. She would always let me look at the register on Sunday mornings when my mom and I would go to breakfast after church with Margaret and Cynthia Bubash.

I remember being terrified of the elevator.

I remember the blue and white wallpaper in the banquet room.

I remember wondering, but never feeling, like the place was haunted.

That old hotel. It was always old, right? How lucky we are to have such a place in our lives. We are so lucky.

We are, all of us, so very lucky.

Somewhere out there

I’m waiting for the art part.

I think I’ve got the storytelling part down. And I know there’s nothing better than a good story, but now and then I get a little sidetracked. There’s some truly great memoir out there, you know? Some of it is downright poetic. As I approach my goal I keep wondering if I shouldn’t boost stuff up with a little poetry now and then. Make things a little less clear and a little more … obscure.

I feel like the stories are pretty interesting. The stuff I’m thinking about when I’m in the midst of these situations is interesting … sometimes it’s funny, I guess, but in the back of my mind (again with the back of my mind … what is it with the back of my mind?) I ask myself is it artful?

Please don’t misunderstand. I’m not fishing for compliments, but the whole question is bothering me. Is it artful? Does it have to be? Should I stray into lapses of stream of consciousness? Does it have to be so … obvious?
OK, I get it, I’m second-guessing myself. I just need to write, write, write and worry about the art part later. This is like blocking a play, really. It’s not ready to perform. There’s a bit more work involved. There’s nuance, music, lighting … oh god. The thought of it overwhelms me, but excites me. Quite honestly, I can’t wait to see the performance.

Oh … by the way … for those of you that have hung in here with me, thanks so much! If the webalysizer is any indication, I’ve had about 10,000 hits in the month of January. I know about 60 percent of that is web crawlers and spiders and the like. I am linking this everyday on facebook, but still … your support is most encouraging.

Keep up the good work!

Extracted from Smelter City Boy

Okay, maybe we all have cruise ships on the brain lately, but today I decided this particular story doesn’t have anything to do with the book, so I’ve taking it out. In honor of it’s extraction, I’m putting it up here for all to see.

Coalition Forces

May, 2004

“Two for dinner?” The super-friendly hostess had a nondescript European accent. I looked to my wife, who smiled and nodded.

“Two alone if it’s available,” I said.

“Sharing is okay? Yes?”

“No, two alone would be better,” I said.

“Right this way,” she said, as she led us to a table for six.

“Right,” I said under my breath, offering my wife my arm as we walked across the dining room.

Everyone we’d spoken to about taking a cruise talked primarily of two things. The first was the expense. The second was the food. No one could believe how much they fed you! The food was really good! The service was great! It was fun to dress up! The reality was there were different types of dining experiences on the ship. Our norm had become going to dinner in one of the three formal dining rooms—nice digs with tablecloths and china—where the left side of the menu had a default selection of standard dishes prepared the same way every night, and the right side had meal choices customized by destination. The wait staff was swift and extremely polite, although they knew only enough English to take orders and deliver food. We wore nicer, but not formal, clothes.

And we reconciled ourselves to eating with strangers every night for two weeks solid.

But by Day 10 of a 14-day Grand Mediterranean Cruise, I’d started to notice things. Like despite the fact that the surroundings were plush, it was loud in the dining room. Loud like a college cafeteria. In fact, I’d come to realize cruise ship dining was a lot like college, only with sport coats and glitzy earrings. The food was pretty good, but not exceptional. You could eat all you cared to eat. The menu choices were not without limits, and it was just plain hard to find a good dessert.

Our dinner table on Day 10 was partially occupied by a man and two women, all busy looking at the evening’s menu. Our waiter pulled out our chairs and laid our napkins in our laps. I sat to the right of the man, and Alana, my wife, sat on my right, directly across from the women.

We were five at a table for six at half past eight. I figured the chances of someone filling in the last seat were slim.

I glanced at the menu. The right side included consommé with tapioca pearls, crème d’asperge or duck confit in beef broth with vegetables. Arugula, mixed greens or spinach salad. Veau à la crème, roast squabs or beuf bourguignon.

“Well then, all right,” the younger of the two women said. “Why so much soup? I mean, cahn’t we have a little variety for entrée?” She was British. I placed her accent somewhere south of London. Bright and toothy, she was nibbling at the bow of reading glasses hung from a thin gold chain around her long, tanned neck.

“We’re headed for Frahnce, after all,” her husband said. He too was British, and bald by choice. He leaned back and closed his eyes when he spoke. They both laughed out loud at the mention of France.

“I was just thinking that myself,” I said.

“Oh?! My name is Jean and this is my husband, John.” The woman seemed startled to see us.

“I’m Grant and this is Alana.”

“Oh! Hallo, Grahnt!” Jean said. I tried to conceal my delight at hearing my name pronounced with a British accent. It is, after all, a very British name.

“Hallo, Alayna?” Jean asked.

“Alahna,” my wife said.

“So. This is Phyllis,” Jean said. She gestured toward a stout older woman to her left dressed in a bright caftan. Phyllis appeared not to have noticed our arrival. “She’s from Malta, I think,” Jean said, just loud enough for Phyllis to look up.

“Hello?” Phyllis asked.

“Yes, Phyllis, we were just saying this is Grahnt and Alahna,” Jean said loudly. Phyllis regarded us over the top of her menu. “They just joined us!” Jean half-shouted.

“Yes, I’d love to,” Phyllis said.

“Excuse me?” I asked.

“Yes, from Malta,” Phyllis said.

“Yes. Right. Nice to meet you!” I shouted.

“Oh, perhaps,” Phyllis said, and glanced back at her menu with concern. I looked at Jean who looked at Alana. They both shrugged and smiled.

“Would anyone like something to drink?” Our waiter was a small, chubby man. His name tag bore a collection of consonants and two vowels, under which read Hungary—his country of citizenship.

“Good God, yes!” Jean said.

“We’ll each have a glass of number 227,” John said. Then he reached into his pocket, pulled out a small token and placed it in the waiter’s hand.

“I’ll have a Crimson Royale,” Phyllis said, reaching for her cruise card—a piece of plastic dangerously akin to a credit card. She looked at both John and me as she handed the card to the waiter.

“Ah, yes, um Szabolcs? I’ll have a double Stoli on the rocks with some olives, please,” I said, and handed over my own cruise card.

“Thank you, Mr. Bringington?” the waiter answered. Touché Szabolcs, touché, I thought.

“What’s number 227?” I asked John.

“Well, it’s a lovely bottle of burgundy we brought from home,” John said, leaning back and speaking toward me. With his eyes closed, it was difficult to tell if he was being friendly, or formal. Either way, I found it unnerving.

“Yes, you pay a fee, but in the end, it’s really worth it, isn’t it?” Jean asked no one in particular, her focus remaining on her menu. I’d heard of this custom, but was daunted by the thought of carrying my own bottles of wine to a cruise on the other side of the world.

I glanced back down at the menu and quickly came up with what I thought would be everyone’s dinner choices. I’d concocted this game—a combination of intuition and culinary acuity—to help determine what, if anything, I had in common with my dinner companions. I predicted Jean would have the veal with a light soup, most likely the consommé. John seemed like a steak and potatoes man, so I’d pegged him with the beuf bourguignon (but I’d been tricked by the Brits with the beef lately). Phyllis had squab written all over her. I knew Alana would most likely go for the default salmon fillet, as French food was too rich for her.

The waiter returned with Phyllis’s cordial—a champagne cocktail with grenadine—and my cocktail. He quickly took the dinner order without writing anything down. As it turned out, I’d done fairly well: Jean would have the mixed greens (miss) and the veal (hit); Phyllis just wanted a large bowl of consommé and a diet soda (miss). John wanted a shrimp cocktail, a well-done sirloin steak, French fried potatoes, the asparagus soup and the arugula salad (indirect hits). Alana would have the salmon (hit).

“So then, tell us, where are you from?” Jean asked.

I was happy to find that Jean was perfectly content to drive the dinner conversation. We’d suffered through a few meals with people who weren’t willing to ask or answer questions, and found it to be a stroke of luck to have someone like Jean at our table. Cruise ship table talk was all about finding a common ground. Without it, you were doomed to have the same conversation every time you ate. With Brits at the table, I was hoping to get their perspective on the only current event our countries had in common—the war in Iraq.

“Vancouver,” I said.

“Ah! Canadians!” Jean and John said simultaneously.

“No, no, no. Vancouver, Washington. It’s in the U.S. Just north of Portland, Oregon.”

“Oh,” Jean said, crestfallen, “We’ve never been. We did have a lovely stay once in Bodega Bay, though. You know, where they filmed The Birds?” Jean asked John.

“Yes. Lovely,” John said.

“Oh? I thought that was filmed near San Diego. Doesn’t Jimmy Stewart take Kim Novak south to some mission and see her jump out of a bell tower?”

“Honey,” Alana began.

“I think Kim Novak has some sort of problem, like being a kleptomaniac or something. I remember there is a scene in San Francisco, but I thought they went south, not north,” I continued.

“I think you have the wrong movie,” Alana said gently.

“No, Barbara Bel Geddes is his secretary and he drives a Karmann Ghia,” I said. “I remember that distinctly. And Kim Novak is this shop girl that he dressed up to look like his old girlfriend, Tippi Hedrin.”

After a moment, Jean said, “Grahnt, I must confess I haven’t the faintest idea what you’re talking about.”

“Yes. I believe you’re getting The Birds mixed up with Vertigo and Marnie, which is pretty hard to do, I must say,” John added, his eyes still closed. This retort was accompanied by an over-rotation of his head. He was clearly scolding me, but it looked like he was talking over his shoulder. I opened my mouth to apologize, but Phyllis stopped me.

“Too many blondes in green suits! It’s no wonder he can’t keep ’em straight. All those women looked alike. My husband used to make the same mistake,” she snorted, and went back to her Crimson Royale.

“Well, that’s another country heard from!” Jean said, after a moment. She winked at Alana. “We’re from Edenbridge, in Kent,” she said.

“That must be just south of London,” I said.

“Why, yes! Yes it is. How did you know that?” John seemed pleased.

“Hours with Standard British Dialect tapes,” I said.

“What’s that? Tapes? Why would one listen to tapes of other people’s dialects?” John asked.

“We’re both interested in the theater,” Alana said, somewhat apologetically.

“Oh! I see,” John said. But he didn’t. He couldn’t. His eyes were closed.

“First cruise?” Jean asked.

“For Grant, yes. I took a ship across the Atlantic when I was a girl, but that was more an ocean voyage than a cruise,” Alana answered.

“I’ve always wanted to take a cruise since I read about them years ago. We wanted to travel to as many sites in Europe as we could without having to schlep our luggage around Turkey, Greece, Italy, France and Spain,” I explained.

For us, the cruise was a way to get from city to city without the added anxiety of how we were going to travel and where we were going to eat or sleep. On a cruise you fell asleep in Naples and woke up in Rome.

“How about you? Is this your first cruise?” I asked. Jean and John looked at each other.

“Oh! This must be our seventh or eighth,” Jean offered.

“Seventh,” John said.

“Or eighth,” Jean concluded.

“Phyllis, is this your first cruise?” I asked.

“It’s champagne and grenadine,” Phyllis said.

“Oh! Uh-huh. Right,” I said.

“Look! Soup!” Jean nearly shouted.

Szabolcs arrived with first courses. My soup was exquisite. The shredded duck, braised in its own fat, was succulent and sweet. Everyone else seemed disappointed. John picked at his shrimp, Alana added salt to her salad, and Jean poked at her greens and moved the plate away. Phyllis simply smiled and sipped her champagne.

“Do you come here often?” Jean asked.

The question had an infinite variety of answers. As I pondered just what Jean could possibly mean, Alana said, “Yes. We like this dining room more than the others. Although it’s identical to the one upstairs, we prefer this one for some reason. I don’t really know why that is, but there you have it.”

“Yes,” Jean said. “We’re up on Deck 14, just one floor down from the buffet, but we hardly ever go there.”

“No. Quite. Except in the morning,” John said, carefully examining another shrimp.

“Many mornings we have to throw on our togs to pop up to grab a cup of coffee. But I must say, some mornings, the spigots are all wound up and you can’t get a drop,” Jean said.

“We call room service as soon as we get up,” Alana said. “The coffee comes very quickly, as long as you don’t order any food.”

Jean and John stopped eating.

“Room service?” John asked.

“Yes,” I said. “I must admit, I’m getting kind of spoiled by the 24-hour complimentary room service.”

Jean and John were spellbound. I thought perhaps they were fascinated by the blitheness of my comment.

“I kind of love the fact that they can show up any time with a pot of coffee. We’ve even taken to having tea in our room most afternoons,” I said, hoping this might snap the Brits back into the conversation. They remained perplexed.

“We did make it to High Tea on Day Three, but were a bit overwhelmed by the rushed service. That, and the fact that most of the passengers there were from Hong Kong,” I said. “And it made for very tricky conversation,” I added, smiling.

Both Jean and John blinked and stared.

“Because neither Alana nor I know Chinese,” I offered.

They stared even harder. In fact, John was starting to grimace a bit.

“Neither Mandarin nor Cantonese,” I said finally. Then nothing.

I’d exhausted my contribution to the topic.

I started to turn to Alana and suggest we abandon ship when Phyllis piped in, “I take tea in my room too! It’s lovely,” she said, “Though not quite a very good blend.”

That was two saves for Phyllis. I owed her a drink.

“Room service!? Whatever do you mean, Grahnt?” Jean was aghast.

“Yes,” John said, “What?”

“Complimentary room service. The menu is somewhat limited, and if you order food it takes longer, but the drinks are just fine. Although it sounds like Phyllis has some issues with the tea. It’s Lipton’s, isn’t it Phyllis?” I tried to pull Phyllis back into the fray.

“Lovely,” Phyllis said, tipping back her champagne glass to get the last drop.

“But you have to offer them gratuity, don’t you?” Jean pressed.

I was silently alarmed by the fact that I had somehow alienated the entire population of Great Britain with the mention of complimentary room service. Up to that moment, I thought the Brits invented room service. Apparently not.

“Well, the line suggests you tip everyone at the end,” Alana said, saving me. She even pressed her elbow into my side. I had hit a bit of a bad patch. “You know, a standard amount per day,” she said.

There was a moment where I simply stared back at them and cocked my head slightly. I was about to apologize for even bringing up the subject (which, of course, I hadn’t) when John spoke up.

“But, I don’t know Grahnt … I mean … ” John sputtered and stalled.

“Yes, exactly,” Jean added, “I don’t think I could let people into my room! I mean, no, I mean, I don’t like that … ” Jean said.

In the ensuing silence I contemplated what had evolved. Just what did Jean mean? Do British people change once they’ve entered a stateroom? Induced by the grandeur of the drapery and the motion of the ship, I imagined long, slender British ogres unpacking dead rabbits into the mini-fridge. No room service for them, oh no. Maybe Jean and John were closeted nudists. Or maybe they had only packed evening clothes and togs—whatever the hell togs were.

“Well, sometimes I don’t really let the steward into my room,” I said, slowing down on the last couple of words for emphasis. “I take the tray at the door,” I said, and returned to my soup.

The entrée arrived, and with it a sort of conversational détente. There would be no further talk of room service. We did, however, chat about Jean and John’s two daughters, whom I imagined to be lean, blondish and toothy, like their mum. The eldest, Delilah, was headed off to university at the end of the summer; the same school where John taught physics or something adequately remote and logical. Phyllis was a widow. Her seven children sent her on a cruise every summer. By herself. Although she was from Malta, it turned out she actually lived in New Zealand, having moved there with her husband after the Second World War. The main course came and went without any talk of Iraq, and I began to fear that I might miss my opportunity. These were obviously intelligent, affluent folks. I was interested in their position, but found the topic difficult to introduce.

The conversation took another tumble when I introduced the topic of dogs. Up until Day 10, this had been a great topic. Everyone had a dog story. All of our dinner companions either owned dogs or knew someone with a dog. It seemed a safe bet to me.

“Do you have any children?” Phyllis had asked.

“No,” I said. “But we have a couple of dogs that keep us pretty busy.”

There can be assumptions made about you when you don’t have children, I suppose. Those assumptions never seemed to bother us much. Fact is, we are more than happy to talk about people’s kids. We like it. And, as much as we try not to, when people ask us about kids, we almost always mention our dogs. We don’t think of our dogs as our children, but rather as something pleasant we can talk about instead of rehashing the story of our failed attempts to have children. The dogs are infinitely more interesting.

“Did you say dogs?” Jean asked.

“Yes. We have a couple of Soft-coated Wheaten Terriers,” I said.

“Are they brown, Grahnt?” Jean asked, her brow furrowed.

“Well, no, not really,” I said. “They’re brownish. More beige, really. The color of wheat. Hence the name. And they aren’t really terriers in the sense that most people think of terriers. They’re midsized dogs, not small and yappy like a Jack Russell or a Yorkshire.”

“What do you think, John?” Jean asked. “They have a couple of doggies. Don’t you think, after the girls leave, we could get a little doggie?”

“What’s that you say?” John said.

“We were just discussing our dogs,” I said, perusing the dessert menu without reason. By Day 10 I’d tried all the desserts and hadn’t finished any of them.

“Have you noticed something?” Jean asked. “That many of the homeless seem to have doggies?”

“Many of them do, I suppose,” Alana said.

“They always seem to have a doggie of some sort on a rope or some pitiful thing,” Jean said.

“Would anyone care for an after-dinner drink? Perhaps a glass of sherry or port?” our waiter asked.

“Chocolate mousse for me and Jean will have the petit fours,” John said.

“Could I get a dish of vanilla ice cream?” Phyllis asked.

“We’d like to split a fruit and cheese plate,” I said, wagging a finger between Alana and myself.

“I don’t know if being homeless predetermines that you own a dog, though,” I said.

“Well, I think they’re doing it to get more money out of people. You know, when they beg and such,” Jean said.

“Really?” I asked and winced immediately. I’d discovered that I often used this word inappropriately, and wasn’t sure if I used it by reflex, or if I truly needed more information. At any rate, I was trying to quit. And I was failing.

“Well, yes!” Jean said. “I’m more inclined to give someone money who has a dog to feed, I think. And most of the doggies seem to be brown. Always brown. I must admit, I find that upsetting, Grahnt.”

“I don’t think I’ve ever thought about it quite like that,” I said.

“What’s that they say? That the older a man gets, the less tolerant he becomes of talking about another man’s dog?” John asked.

I thought for a moment before I said, “Hmm. I’ve never heard that, John. Interesting.”   But it wasn’t. I’d just about had it with John. He wasn’t holding up his half of the social contract.

“Really?” John said, his eyes unusually open and bright.

That was it. He was squaring for some sort of fight.

“Szabolcs? Could you please bring me an Irish coffee?” I asked the waiter when he placed our dessert between my wife and me.

“Irish?” Szabolcs asked.

“Yeah, coffee with a shot of Irish whiskey and heavy cream,” I said.

“Certainly, sir.”

“Are you interested in Formula One, Grahnt?” John asked.

“No, not really,” I said, “For a number of reasons, not the least of which is that I have a hard time with loud things. Why, do you race?” I asked.

“No,” John said.

“Curious,” I said, doing my damnedest to peak my eyebrows.

Alana must have noticed the edge in my voice. Or she picked up on my passive aggressiveness when I ordered an Irish coffee at a table full of Brits. She swooped in and took up the talk like a pro.

“Do you go to the theater much?” Alana asked.

“Well, not as much as we should, really. We did see an excellent musical production, though, about footballers in Belfast,” Jean said.

“Really?” Alana said, I thought somewhat reflexively.

“Yes, quite. It was very good, but I don’t think it lasted very long. What was it called, Johnny?”

“What’s that?” John asked.

“That show we saw. Good God! It must have been five years or so ago. You know, in the West End that time?”

“Oh, I just don’t remember those things, you know,” John said. “It had a good woman in it, though, I remember that, but I don’t remember much about it, really.”

I knew they were talking about an obscure musical called The Beautiful Game by Andrew Lloyd Weber. It had closed shortly after it had opened. I’d only heard the soundtrack a couple of times. And although I had every opportunity to save them from conversational obscurity, I sat and savored my weak Irish coffee made with shitty whiskey and burnt decaf. Here’s to you and your snotty comments about dogs and Hitchcock, I thought. It was Day 10, and I suddenly realized I’d grown tired of vacationing.

“How is it?” Phyllis asked.

“Oh, the cheese is fine and the Concord grapes are slightly bitter but sweet in the end. Not very well-paired with the cheese, though,” I said.

“No, the drink?” Phyllis asked.

“Dreadful,” I said.

“Yes, that’s been my experience too,” she said with a sad smile that melted me.

“Did you have a good day today?” I asked Phyllis.

“Lovely, but I really did want to see inside the Duomo. I stayed in my room, working my puzzles instead,” she said.

“We didn’t see the inside of the Duomo, either. It’s Sunday and it was closed for services. But we did see the Duomo museum, somewhat by accident. The real baptistery doors are there, and they are really something.”

“Oh, I should have loved to have seen that,” Phyllis said, her eyes glazing.

“I’m so sorry it rained today. It must have spoiled Florence for you, Grahnt.” Jean said.

“Oh, I don’t know about that,” I said, unlocking my hands and fishing my napkin from my lap. “I had a pretty good day today. Alana and I had a great cup of coffee and an exquisite pastry at a little shop off Santa Croce. Then we walked around the outside of the Duomo and spent about two hours at the Galleria dell’Accademia, staring first at the David and then watching other people’s faces when they saw the statue for the first time. We had lunch with an old friend and then took a terrifying cab ride to the Piazzale Michelangelo. They have the most unusual church there. The frescoes are downright bizarre, really. Crammed with demons and temptresses. The view of Florence is pretty cool from up there too. We took a bus down to get some gelato and then, just as it started raining, we rushed through the Uffizi,” I said.

Then I noticed that no one but Alana was listening to me. So I finished with, “All in all it was a pretty good day, I guess. I regret rushing through the Uffizi, though.”

“It sounds horridly busy,” John said.

“What did you do today?” I asked Jean.

“We bought a handbag on the Piazza della Signoria, then we came home. I don’t really find rushing around foreign cities relaxing, I must admit. Besides, the real world is so depressing, especially when it rains,” Jean said.

I opened my mouth to speak, but nothing came out. Oddly enough, at that moment the only thing I could think of was the war in Iraq. But it simply didn’t exist on the cruise ship. Although we were onboard for both Memorial Day and the 60th anniversary of the Normandy Invasion, the current war was a silent undercurrent, not spoken of in the laundry room or between chapters of The DaVinci Code at the Tradewinds bar on the Lido deck.

Jean was right. The real world could be depressing. Especially when it rained.

I wanted to say something, but I didn’t. Instead, I used the opportunity of an open mouth to fake a yawn, stretching my hands high above my head and settling my interlocked fingers behind my neck, my elbows pointing at both Alana and John.

“That’s true. I have to admit, some of my best afternoons have been spent at sea. Just me on the balcony in my bathrobe with a good book. In fact, on those days, it’s like I’m the only soul on board,” I said.

“Really? What are you reading?” John asked with his eyes closed.

The Agony and the Ecstasy,” I said.

“Oh my! That’s a tedious book for a holiday!” he said.

I would have argued otherwise, but it was Day 10, so I merely pretended not to hear him, smiled and excused myself from the table.

On our way back to our stateroom, I thought about the unusually large groups of police assembled in Rome to ensure a quiet visit between George W. Bush and the Pope. I thought about the rainbow-colored flags waving from windows high above the main streets of Florence, imploring pace—peace.

I told Alana I’d prefer to eat in the room or at the buffet for the next couple of meals, as the ship sped through the night bound for Monte Carlo.